Steve and I got together again and reworked a song we had written and recorded years ago. This time we used the same Micro POG octave pedal as last time but we ran the higher octave through a Little Big Muff and into it’s own channel in the mixer. The dry bass signal went through the Fulltone Bass Drive and the Sans Amp into another channel in the mixer. The high bass and low bass were panned to different sides and it was awesome and super heavy.
This song uses some weird time signatures and a lot of poly rhythms, it took me forever to figure it out, I’m an idiot.
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